Collection of screen captures from Rio shoots.

Sunrise over the Beach in Copa, after a night of meeting incredible people with Daniel Lobo. We sat on the beach until late in the morning Rob with guitar, Jim with pandero, and surrounded by new friends. For a moment we recreated history on those beaches.

Fishing ship washed ashore.

This ship sat on the beach for a few days, it was an incredible sight.

The chandelier which hung above a Portuguese style venue. The building was an old shipping warehouse, about 4 stories tall, each level was designed with rustic style furnishing, finally a small courtyard on the top.

A band from the northern part of Brazil provided the music for the evening, as people of all ages danced and celebrated to a saints day.

View from the 3rd level, was a magical evening.

During a Bossa Nova jam on the beach, Rob and Jim joined the musicians and played a collection of Brazilian and American favorites.

Daniel Lobo, our Director of Photography, plays an enormous quica made out of a tree trunk. It comes from Africa, and resembles the sound of the Jungle. In the courtyard of Maracatu drumming school.

Jim meets with Bolao, an incredible Samba bateria player. He literally wrote the book on how to transfer Samba onto the drum kit. There will be a video series coming soon from Bolao!

Our team with the keeper of Bip Bip. A small cultural hub a block away from the beach of Copa. The history of this place in connection with Bossa made this night one of the best of the trip.

Roberto inside Simente, a small club in Lapa.

Zé Paulo Becker, with Bernardo Aguiar in Simente.

Daniel Jobim grandson of Tom, showing Rob a Jobim song book after a small jam in the studio in his family house.

World class Pandero player and friend, Bernardo Magic, showing us the salt hill. This was the center market for the slave trade in Rio Dijenero, and the location of the start of the Samba movement.

The Pig House! Originally a place for prostitution it is now a music and artistic complex, surrounded by small venues all sharing one space.

Alexandre Garnizé percussion teacher, player and leader. He is a legend, brought us to see his band Abayomy Afro Beat, at the Pig House.

Trumpet solo during Fela Kuti's Zombie.

Abayomy Afro Beat horn section still. They blasted off that night.

3 different shoots in one night. Tired but thrilled. Our last night in Rio.

Another incredible Brazillian musician, at a Beach Cafe on the Copa sidewalk.

Roge playing in the Lagoa area in Rio. These next are screen stills from the live video edit.

Saúde!

Bossa Nova & Samba

Since we have been in Brazil we have been asking locals about Bossa Nova and how it is received today, we have gotten some mixed responses. It seems that the Bossa Nova from the 50's & 60's is dead. However, most musicians believe that the movement is something that lives on in the soul and without it the culture of Brazil would not be what it is today. Obviously it was important and is still alive in some ways. We met a very important samba player named Bolao who talked about Bossa Nova from a "sambistas" perspective. In his mind Bossa Nova drumming did not impact the evolution of samba on the drum set. He did mention that Bossa Nova changed the way the guitar is played by giving it that samba "batida" or beat but that this rhythm was already being played by samba players on a cavaquinho, which is a four stringed instrument kind of like a ukulele. Since a guitar has six strings the chords that were involved in Bossa Nova were important to the style. It became a mix between American jazz chords/harmonics and a Brazilian samba beat. Bolao believes the best way to hear Bossa Nova is instrumentally or with just a guitarist/singer. Bolao has been instrumental himself in the evolution of the drum set. He has been developing new ways of adapting the samba school rhythms onto the drum set. His use of the the double bass pedal is singular. He has written a book whose english translation read the privlage of playing the the samba or batucada. If you have time please check him out online Oscar Bolao. If you have any comments or input on the subject feel free to throw in some comments. THANK YOU

Roberto

Production Blog Begins

Dear friends.... it has begun! Over the last 2 weeks we have been making connections, seeing Rio culture, interviewing artists and musicians, shooting, editing, discussing... and walking down the beach to sugar loaf as you can see from my mobile photo uploads. Here is a collection of stills, a mixture of production stills, and screen shots from our first 2 shoots. We will continue to update these posts as we move along, in an effort to quickly update the blog. But our experience has been too rich to just post quickly. We have been working with an unbelievable collection of musicians, videographers, photographers, producers, managers, and as we update we will explain who they are. For now peep these images.

Contributors:
Daniel Lôbo
Leandro Neves
Dani Botelho
Cast of- Na Rotina dos Bares

... and more pics.

Photo at the Journal do Brazil, of the founders of Bossa.

Chega De Saudade- Trailer

Letters from my journal.

Random thoughts and entries:

12/9/11- Apartment, on computer.
Our first week in Rio was incredible. We connected with the Journal do Brazil, a major newspaper here in Brazil since 1891. We are spending this next week working with them and searching through their archives of articles, pictures and stories creating the landscape for the Bossa Nova movement and the culture at the time. Friday we took a cab to see a friends show  in Tijuca at the Sao Clemente samba school. They were performing their 10 songs to pick for Carnival. They started the night playing last years song, the Queen of the school came out with their flag, and as she spun around the room, building the energy of the crowd. The colors of the school, black and yellow, littered the place like confetti. 30+ people were on stage banging away each with an individual drum and piece to play, not skipping a beat. 500+ people in the audience, women dancing like a dream, men showing up dancers from the lord of the dance as if they were born to dance.... they were. As the queen danced and pulled energy from the band into the crown the building we were in ignited, (figuratively). I began to cry as the beat of the bateria, and the force of the energy took over my body. It was a life changing experience.  It was wonderful.  We later found out not only were we in the wrong place, our friend never played there that night, but Sao Clemente was the Samba school that threw a party for Nara Leao as a backlash to Bossa Nova, when she turned her back on the movement. Had we known Sao Clemente had celebrated the death of Bossa Nova, and the rejection of the movement by Nara, I may have not been touched as deeply. It is amazing how things happen as they are meant to be.

Quick collection of images. Words and blogs to follow.